1st Round (behind the screen):
Ludwig van Beethoven – Cello and Piano Sonata No. 3 in A major, Op. 69, with piano accompaniment, 1st movement
Orchestral score:
Richard Strauss — Don Juan Begins 5 bars before D
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2nd round (without screen):
Benjamin Britten – Suite for Solo Cello No. 1, Op. 72 - Canto Primo - Fuga
Wolfgang Amadeus Mozart — Symphony No. 35 ‘Haffner’ - Finale: Starts at bar 70
Johannes Brahms — Symphony No. 2 - 2nd movement: Starts at bar 15
Gustav Mahler — Symphony No. 5
First part:
Trauermarsch:
1 bar before the number 2 to 1 bar before the number 3
8 bars before the number 9 to 12 bars after the number 10
Second movement:
From the 12th bar of number 11 to 8 bars after number 12
Second part(Scherzo):
From the 3rd bar of number 1 to 17 bars after number 2
From the 3rd bar of number 6 to number 7
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Final:
Maurice Ravel — La Valse
Number 36 to measure 43
Number 77 to the end
Anton Bruckner — Symphony No. 7, 1st movement
From the beginning to A
E to G
I to L
Béla Bartók — Music for Strings, Percussion and Celesta, 2nd movement
From bar 310 to bar 400
Olivier Messiaen — L’Ascension, 3rd movement
Measures 17 to 20
Wolfgang Amadeus Mozart – String Quartet No. 23 in F major, K.590, (with the orchestra’s musicians) 1st movement
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INFORMATION
- The choice of pieces may be determined by the jury on the day of the competition.
- The order of the pieces within each round is at the candidate’s discretion, unless otherwise specified by the jury on the day of the competition.
- All pieces may be performed or re-performed in any round. Regardless of which round is currently being performed, the jury reserves the right to interrupt the candidate. Conversely, if the jury deems it appropriate, it may request that a further audition be held.
- Bowings are at the candidate’s discretion.